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CONTACT

InquIRIES

For any inquiries, questions, or commendations, call 661.510.5633, shoot us an email at [email protected], or fill out the following form. 

JOB APPLICANTS

Want to be a part of building impossible worlds? Send a cover letter and resume to [email protected] or call 504.460.0408.

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A Family that works - plays - travels and makes the impossible, possible together …. Blessed beyond words

If you haven’t seen “Arthur the King” it’s If you haven’t seen “Arthur the King” it’s now in the top 5 movies on Netflix. This was a fun one to do on location in Dom Republic. Check it out. 🐶🙌
Throwing a car off a cliff for the film Deepwater Throwing a car off a cliff for the film Deepwater with Ben Affleck and Ana de Armas. 😬
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#behindthescenes #moviemagic #spectrumeffects #movieproduction #videooftheday
Thank you to all who sacrifice for our freedom ❤ Thank you to all who sacrifice for our freedom ❤️🤍💙
Instagram post 17944909464179922 Instagram post 17944909464179922
🔥 Fire. Explosions. Pyrotechnics. Shootouts… 🔥 Fire. Explosions. Pyrotechnics. Shootouts… even some of it was in the open ocean. Season One of M.I.A. was no joke — and we brought everything we had and so did the rest of this amazing cast & crew.
The trailer just dropped. See for yourself. Premieres May 7 exclusively on @peacock 
#mia #peacocktv #behindthescenes  #specialeffects
What an incredible moment! Good luck to all the ta What an incredible moment! Good luck to all the talente nominees tonight! Let’s go! #sinners #warnerbrothers #spectrumeffects #
Congratulations on your first F2 race. We are so p Congratulations on your first F2 race. We are so proud of you @emmojrfittipaldi  This will be an exciting season for Formula 2 racing!!! Family supporting family 🙏💪🙌
This shot isn’t just VFX. The roof was actually This shot isn’t just VFX. The roof was actually on fire.
The Juke Joint roof burn in SINNERS is a perfect example of practical and digital effects working together.
The SFX team burned the real roof on the set while rolling multiple IMAX film cameras.�More than 50 previs versions were built to choreograph the actors, camera movement, and timing with Ludwig Göransson’s score so the entire sequence could play out as a seamless oner.
Then the VFX team expanded the moment—layering digital fire simulations, sparks, smoke, and embers to push the scale while keeping the realism of the practical burn.
This kind of scene only works when SFX, VFX, Production Design, Costume, and Sound are all locked in together.
Now nominated for 16 Academy Awards, including Best Visual Effects for�Michael Ralla, Espen Nordahl, Guido Wolter, and Donnie Dean.
A reminder: the best visual effects start with something real.
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4632 Pontchartrain Dr.
Slidell, LA 70458

[email protected]
661.510.5633
504.322.7236
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